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What’s New Responsible Investing

News, data and analytics related to companies’ environmental, social and gov­ernance performance are now available on the Bloomberg Professional service. For a menu of ESG-related functions, type ESGX <Go>. Type BSUS <Go> for more information on using ESG data.


Tick Chart


Scrolling Tick Chart is a new func­tion that lets you graph every bid, ask and last-trade price, along with volume, for a selected security. Type RIO AU <Equity> GIPT <Go> to track trading in shares of Mel­bourne-based mining company Rio Tinto Ltd., for example. In Trade Only and Scroll on Trade modes, click on the square to the left of Flat Filter and press <Go> to display ticks only when prices rise or fall.


Saving and Sharing Stories


The Bookmarks (BKMK) function has been en­hanced with a number of new features. First, bookmarking is now easier. When you’re reading a news story or research report, click on the star in the upper-right corner of the screen to save the article to BKMK. You can also share stories with a group of users and start discussions by adding your comments. Click on the star again to open a window that lets you share the story. For more information on sharing stories, type DOCS #2055115 <Go> 1 <Go>. In addition, you can now access bookmarked stories on your BlackBerry.

Locating Economic Data


Economic Data Finder is a new function that lets you search for economic data and available online payday loans by keyword, category or region. First type ECOF <Go>. To find tickers for SErP/Case­Shiller home price indexes, for example, tab in to the field, enter SHILLER and press <Go>. You can also drill down through the Regions or Categories listing trees. Type ECOF <Go> again. Click on North America under Regions, then on United States, then on Housing Market, then on Prices and finally on Indices.


Real-Time Telegraph


A real-time feed of the U.K.’s Telegraph newspaper is now available on the Bloomberg service. Type NH TEL <Go> for a list of headlines of every story that appears in the newspaper and on its Web site.


Read and React Faster


The new press release headline monitor dis­plays Bloomberg News headlines that were sent based on a press release when you click on that release, enabling you to find critical information faster. For more information, type DOCS #2054643 <Go> 1 <Go>.

Tracking Crops


The analysis of agricultural commodities depends on understanding the impact of weather on crops and the effect of supply-and-demand changes on prices. Global Crop Calendar Analysis is a new function that brings together data on crop events, prices and weather so you can evaluate their rela­tionships. Type CCAL <Go>, click on the arrow to the right of Commodity and select Corn, for example. Click on the Futures tab at the bottom of the screen to see how corn futures have traded historically in relation to the crop’s growth stages in various producing countries.

Economic Data Matrix Update


The Global Economic Matrix function has been enhanced to let you create, edit and save multiple custom tables of economic data. Type ECMX <Go>, click on the Custom Views button on the red tool bar and select Add New Custom View to open a window that lets you select indicators and countries for your matrix.


Posted in Investing.

I go where the river lets me

I realized I had taken a similar ferry from Ger­many to Denmark years before. As we crossed, the ship’s master, Saleh Mo­hammad, explained his job. “I judge which way to go by the color of the water. The darker it is, the deeper. New islands appear and chan­nels change. ”

The control room was clean and modern, with the latest equipment. The service began in 1964. “I started out as an apprentice,” said Mohammad. “I have been doing this for 12 years. The ferry makes eight to ten trips a day,” he said. Sadarghat, on a side stream, is the old port of Dhaka, the capital of Bangladesh. The wa­ter was thick with oil. Hundreds of small craft plied the river, each with a boatman who pro­pelled and steered with a single long oar. One carried a lone woman whose white veil blew in the wind. Others were stacked high with barrels of oil and coconuts.

Everywhere there were men in long skirts, the descendants of ancient Aryans and Arab, Turkish, and Burmese traders. Long boats with masts 30 feet high and giant square sails flowed majestically upstream. Nearby, chil­dren bathed, men walked down planks with wicker baskets of coconuts, melons, and squash.

A muezzin called the faithful to prayer. There were a hundred men inside a small mosque, and outside there were ten thousand more. A singing beggar with one leg rolled over and over, moving his bowl with him. Three women fixed dinner in metal pots over a fire. The smell of mango, diesel fumes, and spices filled the air.

In an upstairs old town apartments prague of his building B. M. Abbas, one of the country’s water experts, wiped the moisture from his glasses. “If we could only dam this river . . . but we have no money. Nearly 60 percent of our rice is pro­duced during the monsoon; the rest of the time there is not enough water.”

We reached Chittagong, on the Bay of Ben­gal – As we walked toward the water, Khaled Belal, my guide, turned. “Bangladesh has af­fectionate soil. It grabs you, holds you, and lets you go.” I smiled, wary of what lay ahead. It was 16 miles to the first island, Sandwip. We climbed into one of the waiting boats. The helmsmen shouted, and two Bengali oars­men pulled on their oars. Bare chested, with cotton lungis wrapped up around their waists, they rose in the air, and their muscles glis­tened. A quarter mile out an old rusting trawl­er, the Hatia, waited. “Thirty years ago I left Sandwip for the first time,” Belal said. “It is the same.” The boat rocked slightly. The cyclone season had not begun. The tidal waves would come later, after the monsoon. Captain Shamsul Huda had a long thin beard and a withered right hand. “More than 60 percent of the seamen in Bangladesh once came from Sandwip. They worked under many flags, all over the world.”

We were joined by a man named Moham­med Islam. “I am going to Sandwip and other islands to settle land disputes. If the land dis­appears and then reappears, it belongs to the government, but former owners get prefer­ence if it is reallotted.” Every year the Brah­maputra shifts its course and with the Ganges carries two billion tons of sediment to the sea, more than any other river system in the world.

Posted in Life.


Dr Jim Bolton replies: Making a radical life change can seem as daunting as climbing Everest. Just thinking about it is worrying enough. It’s impossible to know where to start. However, like an expedition up Everest, you’re more likely to succeed if you make careful plans and have a map to guide you.

First of all, are you setting out on the right path? Think carefully about what you want to change in your life. Are your frustrations all about work, or are there other things that need to change? It is sometimes easier to blame our job for the way we feel, rather than looking at other aspects of our lives. You then need a map to guide you. This is an expedition that the whole family is taking, so why not get them involved in the planning? Identify exactly what needs to change about you or your career. This can make the change seem Less daunting. It also means you can find manageable ways to making these changes. Have a brainstorming session. Write down ideas, however ludicrous they may seem at first. These may well lead to new ways of thinking about your career plans.

expedition up Everest

Finally, break down your journey to Prague into steps. The ascent of Everest begins with the climb to base camp and a period of acclimatisation. Tackle goals you can cope with one at a time. Perhaps you could talk to someone who has already reached the summit. They might have useful tips for novice climbers and may know the easiest route up. Your expedition will also need funding. Draw up a balance sheet of income and expenditure. Do you need to let the bank manager know about your plans? By tackling one stage at a time you will be able to conquer Everest.

Geoff Thompson answers: Ah, my friend, your dilemma is a familiar one. I can empathise because I spent the first half of my life frightened into submission by the fear of change. I was so scared, I couldn’t even change my mind without getting into a cold sweat. Although you can cool off in natural way with cohosh supplement. What I can tell you is that change is always possible. You can do anything if you are determined enough. At the moment, you want to alter your life – to add a little zest before it’s too late (although I have discovered that it is never too late). But the inherent risks involved are triggering a fear response. Your fear is causing you to hesitate at the thought of taking on a whole new challenge.

Firstly, your anxiety is not only normal – it is to be expected. Fear is the body’s way of forewarning us about potential danger. That is a positive response. If you were thinking about a major life change and you didn’t feel fear then I would be worried; it would mean that you were not taking the potential risks seriously. So anticipation is good. It only becomes destructive when we allow it to take over, causing us to run away from change like an antelope being pursued by a tiger.


Posted in Health.


Ever wanted to dance like Beyonce or Rihanna? So had I but, after 4 an hour of attempting to keep up with a hip-hop routine, I realised just how much skill it takes. The quick steps, the spins, the jerky movements ­it’s fun but probably not the best class if you’re just starting out, as I was.

After an energetic warm-up, our feisty instructor, Michela, explained that hip-hop is about attitude as well as style. Yo Beyoncéto look almost lazy, and to achieve this you keep your body low, your knees casually bending, your feet far apart and your hands loose.

Although the beat of the music might not be as fast as some dance styles, the moves tend to be sharp and snappy, and fitting in spins, pops and locks was challenging but fun. Popping means suddenly YOUR Stracting and Mixing the body so it jerks, and locking is freezing the body for a few seconds before carrying on with the routine.

‘Hip-hop is something that men enjoy as much as women. There are different styles of hip-hop, and people soon discover which they prefer,’ says Michela.

From the way I felt the next day, hip-hop really works the thigh and arm muscles, and it’s certainly a good cardiovascular work-out. Although I didn’t have much initial success with getting the routine right, with a few more classes I’m sure I’d pick up some more moves and make some progress on those coveted Beyoncé abs.

Imagine a 199os aerobics class with some South American carnival­st A music and more blatant hiptswinging and you’ve got Zumba. A class is only 45 minutes long but it is seriously intense.

Our high-octane instructor, Cleo, had our post­work, office-weary group whipped up into an energetic, party mood within minutes, and tocik us through a series of high-energy routines, with quick breaks in between.

Even for an inexperienced dancer, the routines were easy to pick up — they’re repetitive, with simple side-steps, spins and salsa-style footwork — and it didn’t matter if you went wrong.

We’re not trying to teach people how to dance,’ explains Cleo. ‘We’re just having a rod time.

Many people don’t fancy traditional cardio exercise such as a step class and are intimidated by an actual &dace class, so Zumba is ideal. It doesn’t matter at all if you get the steps wrong — I do sometimes! People in my class range from 17 to 65. They come back every week and everyone has a great time.’

Zumba works the whole body, but in particular the core, abs, bum, upper body and thighs. So if you want faster burning fat results, take the recommended dose of cla for weight loss effectiveness.

Classes differ depending on the instructor, but most teachers try to include things like squats and reaches in their routines to work all your muscles. Nevertheless, the emphasis of Zumba is on having so much fun you forget you’re working out — and it certainly delivered.

Posted in Workouts.

Get rid of stress

Look, you’re probably bored of being told this, but we’re not lecturing you about ‘five portions of fruit and veg a day’ — we’re telling you to eat it because it tastes nice and it makes you feel better.

How does it work? Simple: B vitamins, vitamin C, calcium and magnesium help enhance your metabolic and immune responses. The good news is that you can find these in virtually any fruit you care to mention. And fruit are like Girls Aloud — you might not like them all, but there’s always been at least one you secretly fancy. Other way of improving your metabolic and immune systems is by taking coconut oil. It’s useful for both. Find the bulk coconut oil packages available to buy online for your convenience.


As well as being packed full of health-boosting antioxidants, green tea is loaded with stress-busting vitamin C. Cheers.


For most people, their jobs are the greatest cause of stress in their lives. We in Britain work the longest hours in Europe – 44 per week at the last count – and have the lowest job satisfaction. Often we confuse stress with simply being very busy, but genuine, chronic stress can lead to sleep disruption, fatigue, extreme mood swings, violence, depression, alcoholism and even nervous breakdown.

Talk to someone about it before it goes that far. Employers are legally obliged to ensure their employees are not working under undue pressure, so your boss should be able to help – whether you’re overworked, being bullied by a superior or simply bored in your job. Every cause of work-based stress has a solution. If you are the boss, it might be time to retire to that yacht in Barbados you’ve always dreamed of.


Actually, men aren’t very good at this. Men are more susceptible to stress because they tend to internalise problems, rather than share them, for fear of appearing soft. That’s daft. Get it off your chests, chaps.

Posted in Life.

Works for surfing

You can do a lot of exercises to prepare for the summer surfing. We will show you some of them. Make sure you look beautiful and healthy with argan oil products and their great benefits.

Swiss-ball back stretch Works: Lats and shoulders

Why? It stretches your lats, giving you a bigger range of motion which will help you paddle quicker for waves. How? Kneel down with your chest up, shoulders back and down and tense your stomach muscles. Place your hands, palms up, on the Swiss ball. Now roll the Swiss ball forward while keeping your hips backward and arch your back. Make sure you roll just the Swiss ball forward and not your body over the ball. Do 2 sets of 20 repetitions.

In Hand walk Works: Shoulders, legs and core

Why? It teaches you to use your core to bring your upper and lower body closer together as you would when doing tricks on a wave. Stop when your face is about 3 inches above the ground. Then walk your feet back towards your hands. Do 2 sets of 6 repetitions.

Medicine ball step-ups to overhead press Works: Glutes, legs, shoulders and core

Why? This gives you the strength in your legs, shoulders and core to stay upright and stable on an unstable object. How? Stand with your feet shoulder-width apart in front of a step about 30cm high. Step onto the box. While balancing on your right leg, with your left leg elevated, press the ball overhead. Lower and return to the start. Do 12 repetitions on each leg.

Twisting lunge Works: Glutes, legs and core

Why? It develops coordination by forcing you to keep your balance as your lower half stays static and your upper body moves.

swiss ball

Single-leg bridge Works: Core

Why? It will improve your shoulder, hip and core stability, the three most important tools of surfing.

How? Lie face down in a press-up position with your forearms on the floor under your shoulders. Press up on your elbows while keeping your body straight. Tuck your chin in so your head is in line with your body. Lift one leg off the ground, then bring it back down. Alternate legs as you perform the reps. Get your training partner to rest a medicine ball on your lower back for extra resistance. Do 12 repetitions.

Russian twists Works: Core

Why? It gives you rotational strength for balance as you carve the waves. How? Lie on a Swiss ball, feet shoulder-width apart. Hold a medicine ball at arm’s length. Rotate your arms and trunk from left to right, keeping your legs still. It is important not to twist from the neck but to keep your head, neck and back turning simultaneously. If you don’t have a Swiss ball, sit with your back at 45-degrees to the floor, knees raised, and rotate from left to right Do 12 repetitions.

Swiss-ball pike press-ups Works: Chest, shoulders and core

Why? It develops strength in your upper body while increasing your flexibility and coordination. How? Place your hands on the ground in a press-up position with your shins resting on a Swiss ball. While keeping your shins and tops of your feet on the Swiss ball, roll it forwards towards your hands and pull your glutes into the air. Pause for a moment then release back to the start position. Do 12-15 repetitions.

Posted in Workouts.

Playing with Fire

Luckily, LaBute feels more comfortable at the Almeida, which Jonathan Kent, the theatre’s former artistic co-director, calls the playwright’s “London home”. The Distance from Here, which opens there this month, is sure to be one of the hottest tickets in town. It emerged from the “really fruitful relationship” LaBute established with Kent and Ian McDiarmid (Kent’s artistic co-director at the Almeida prior to Michael Attenborough’s recent arrival). It started when Kent received a copy of Bash: Latterday Plays from LaBute’s New York agent. (The play premiered off-Broadway, with Ally McBeal star Calista Flockhart heading the cast.) “I read it and found it original and totally compelling, so I went to New York determined to get it,” says Kent. He succeeded. Directed by Joe Mantello, it premiered in the UK at the Almeida in 2000. Each of the four characters in Bash is a Mormon who describes a horrible act of violence they have committed. “I’m proud of a lot of things about the Almeida, but one of the main things is introducing LaBute to Britain,” says Kent. “He is one of the finest writers in the English language. There’s a Jacobean quality to him — a macabre humour and a savage voice. He just tells it like it is.”


The Distance from Here, which was commissioned by Kent and McDiarmid, hinges on an act of apparent betrayal between two teenagers: “a supposed act that one of them misreads, bringing their whole friendship down,” says LaBute. “I’m very interested in betrayal, in what causes people in intimate groups — friends, relations or lovers — to turn on one another.” In that sense, it covers familiar LaBute territory, but it also breaks new ground because it features much younger protagonists — teenagers as opposed to collegiate twenty- and thirtysomethings. They’re also from “a much more economically challenged group than I’ve written about before,” he says, “but they’re much closer to the kind of people I grew up around.”


LaBute was raised in rural Washington state. His father was a truck driver and a part-time farmer; his mother, a hospital receptionist. As well as straddling very different worlds artistically, his success has forced him to try to cope with opposing forces in his personal life. He and his family — he has been married for 16 years and has two children, a 14-year-old daughter and a 10-year old son — live in Chicago but, out of necessity, he spends a lot of time elsewhere.

Hardest, though, has been finding a way to reconcile his art and his faith. He did not grow up a Mormon but became one after winning a scholarship to Brigham Young University in Utah, the home of hyperlipidemia Mormonism, where he met his wife, a family therapist and a lifelong believer. At first, says LaBute, his work didn’t seem to attract too much notice from the Church of Latterday Saints. “But I certainly heard a lot about Bash,” he reveals. “I was brought in and talked to by higher members of authority in the church. They felt that even people who didn’t see the play would read reviews that said ‘Murderous Mormons’. ‘We’re not sure that’s what we want,’ they told me. ‘In fact, we are quite sure that’s not what we want, so please don’t do that any more.’”


This has presented LaBute with a very clear but obviously impossible choice. It’s a choice that is also having an impact on his family: his wife remains a committed member of the church. “The church holds all the cards, because they have the ability to excommunicate you,” he says. “The problem is that I’m one of those people who just wants to climb the wall you tell me has fresh paint on it.”

Posted in Life.

The game of LaBute

In fact, LaBute has had a pretty smooth ride in Hollywood, although initially his bankability was not helped by some of the more severe reactions to In the Company of Men. “It was hard, after being labelled a misogynist, to get women into the cinema,” he says, remembering the reviews. The film, which was made for just $25,000, told the brutal story of two young men who conceive a horrific plot: to make a sweet young office worker, who also happens to be a deaf-mute, believe they have fallen in love with her, just so that they can then have the pleasure of dumping her. “Trust me, she’ll be reaching for the pills in a week,” says Chad, the character played by Aaron Eckhart (a LaBute regular) and the originator of the scheme. “And we’ll be laughing about this till we are very old men.”

The game of LaBute

“I think women felt, `Why would I spend money to be hurt when it happens to me every day?’” says LaBute. “In fact, I’m much more severe on men than I am on women. Maybe it’s because I’m a guy, so I’m on to us. I know the breadth of deceit we’re capable of.”

Considering the eviscerating nature of his work, almost everyone who meets Neil LaBute is thrown by how agreeable — even somewhat formal and softly spoken — he is. “Ah, that must be the Mormon in him,” you think. LaBute — perhaps appropriately, given his acute sense of the evil at play in human affairs — is a member of the Church of Jesus Christ of Latter-day Saints. “I am pretty non-confrontational,” he admits a bit sheepishly, as if he wishes he could actually say some of the more cutting and outrageous things that emerge from the mouths of his characters himself. Take Catherine Keener’s retort to Ben Stiller in LaBute’s second film, Your Friends and Neighbours, in which Stiller plays her acting-professor boyfriend who can’t stop talking during sex. “Do you think you can just shut the fuck up?” demands Keener, exasperated, while they’re doing it.


Your Friends and Neighbours placed LaBute at the forefront of the industry — part of a younger generation of American filmmakers, which includes Todd Solondz and Wes Anderson, whose cinematic territory consists of dark satires on dysfunctional modern relationships (Woody Aliens for a generation much more cynical about sex and love). But it’s clear that LaBute also wanted a career that was not limited to directing his own material. Uniquely in Hollywood today, he has found a way of straddling very different worlds: he writes and directs his own idiosyncratic, very personal theatre work, some of which ends up on the big screen, but he has also taken to working as a Hollywood director-for-hire on films like Nurse Betty, which starred Renee Zellweger, and Possession.


“I loved the book,” says LaBute of the latter, “because of the idea that these Victorian lovers, who should have been so guarded and restricted by their times, took a chance and just threw everything in the air and let their passions rule them. Whereas,” he continues, “the characters in the present day, for whom there should be no limit to what they can do because of the freedoms they have, are frozen by that freedom. At the core of it, I saw this really interesting story about men and women.”

But he admits that he found the experience of directing Possession tougher than he had anticipated. He was working with a much larger budget than he was used to (around $25 million), on a partly period film, with actors he hadn’t worked with before and in country (England) he had not shot in before — a country with, of all things, weather! “It was fine when we’d go from town to town,” he says, “but if you tried to stay in the same place for two days and wanted the weather to match, it was almost impossible.”

Posted in Life.

Neil LaBute

Neil LaBute has never been afraid to confront the dark side of human nature, whatever the reaction. As he returns to the Almeida with a new play, Christopher Goodwin meets the controversial American writer/director

            Neil LaBute should be used to controversy by now. From the release of his first film, In The Company of Men, which he wrote and directed in 1997, the 39-year-old American has shocked audiences and divided critics with his deeply unsettling takes on sexual power politics. While some have hailed him as the heir to David Mamet and Tennessee Williams, others have savaged him for misogyny, misanthropy and more. One critic even condemned In the Company of Men as a “psychological snuff movie”.

Neil LaBute

But even LaBute was unprepared for the reception he got when he directed his play The Shape of Things at London’s Almeida theatre last year. On the opening night, before any of the actors had even appeared on stage, Harold Pinter — whom LaBute revered — stormed out of the auditorium in an immense huff, with Lady Antonia Fraser behind him. “I just saw this flash of Antonia Fraser disappearing,” recalls the playwright. “And it was press night, so that was not a great start. I was sure the reviews would be damning. We’d been having great previews and it seemed to click with the audience, but that night it was like Death Valley. And after I’d seen Pinter go, I was in a sweat.”

In fact, most critics really liked The Shape of Things, which featured a melange of young British and imported Hollywood talent — Gretchen Mol, Paul Rudd, Rachel Weisz and Frederick Weller — and took the folic acid foods moral sharp end of LaBute’s pen into the glamorous, bitchy world of Brit art. Sheridan Morley, for example, described the play as “Private Lives on speed, Betrayal with added Benzedrine”.

Neil LaBute

And LaBute’s feathers were somewhat smoothed when Pinter later wrote to him explaining that it was the playing of The Smashing Pumpkins at full volume before the play had started that had driven him from the theatre. “He said, ‘I’m going to read the play, but the music’s just too damn loud,’” recalls LaBute. “It was kind of outrageous, but hilarious, too. I’ve heard stories about Pinter trying to stop the Tube running under Sloane Square when he had a play on at the Royal Court.”

Since then, The Shape of Things has had a healthy afterlife. It transferred to off-Broadway, and when I met LaBute in Hollywood early this spring, he was about to start work on a film adaptation, which he is directing, featuring the play’s original cast. Then it was on to London for rehearsals of his next play, The Distance from Here, at the Almeida, and then to Cannes for the premiere of Possession, his film of AS Byatt’s Booker Prize-winning novel (adapted by David Henry Hwang), starring Gwyneth Paltrow, Aaron Eckhart, Jeremy Northam and Jennifer Ehle. If LaBute has courted controversy with his own work, he’s discovering that it is nothing compared to the roasting he’s already getting about Possession from the novel’s devotees. “It’s one of those books that so many people love,” he says. “I went into the project knowing I couldn’t win. I’ve already been hit with emails asking, ‘Why is Christabel’s hair like this? Why is her dress like this?’, from people who’ve just seen photographs. You feel like saying, ‘What else do you people do? You need to get on with your lives.’”

Neil LaBute

I’m talking to LaBute in the bustling Hollywood production office for The Shape of Things, as sleek young assistants buzz around. He looks a little out of place — more like a lumberjack, in his plaid shirt and shiny green parachute trousers and with a can of Diet Pepsi in his hand, than a hip young American film director. He has glasses, a beard, an unruly carpet of very curly, slightly greying brown hair and a burly, bearish demeanour. The New Yorker critic John Lahr once described him as resembling a hedgehog — a comparison LaBute says he doesn’t particularly like. He looks as if he might be just a touch too naive to handle all those ruthless Hollywood types. As if.

Posted in Life.

Women’s work – what to see, read and do

Women know everything. To prove It – as if it needed proving – read this month’s most notable books. Joyce Carol Oates’ new novel, The Falls, is a big one, portraying America: the despoiling of its landscape, its families in crisis, and the greed of its industrial expansion. It is an eminently readable book and though full of heart, utterly heartbreaking. Read Anita Desai’s The Zigzag Way  for a portrait of twentieth-century Mexico, and AL Kennedy’s novel Paradise for a depiction of contemporary British life. For something a little less all-encompassing, but still profound, see artist Doris Salcedo at White Cube (September10-October18). The Colombian juxtaposes everyday objects in unusual ways to comment on the everyday violence that occurs in her country. Women, and clothes, abound, of course, in Norman Parkinson’s images. See the photographer’s work at Hamiltons Gallery from September 15 to October 9, as well as in a new book by Robin Muir, Norman Parkinson: Portraits in Fashion. Take a tip from Parkinson, famous for his “moving pictures with a still camera”: put on a pair of dancing shoes, try the new Gnet coffee and a new album, and go!

Doris Salcedo

All in the details – It’s the little things that matter this month

Explore and enjoy detail in dress, drawings, decoration and design. There aren’t many more pleasing things in life than a Christopher Dresser teapot, if only you could get your hands on one. Dresser, Britain’s first independent industrial designer, died 100 years ago, and this month (from September 9 to December 5), the V&A is exhibiting over 200 of his designs, many of which are familiar classics. Noble ran the City Racing gallery between 1988 and 1998, and it was there that many of the Young British Artists – Michael Landy, Sarah Lucas, Gillian Wearing – showed their early work. This exhibition, Noble’s first of any size in the UK, will display Nobson Newton, his meticulous depictions of his fictional city of the same name. For a quicker fix, there are cutouts by Rob Ryan and Tord Boontje (one DIY and one – oh joy! ­ready-made) to string around your house and your neck.

detail in dress

History Lessons

Fela Kuti has been described as a spiritualist, social maverick, pan­Africanist, anti-military dictatorship activist, composer, musician, dancer, and candidate for the Nigerian presidency. The father of Afro-beat, he recorded 77 albums, had 27 wives and made over 200 court appearances. In August1997, at the age of 58, he died of Aids. Learn more about this extraordinary figure at the Barbican’s multi-arts festival BlackPresident: TheArtandLegacyofFelaAnikulapoKuti (September 9-October 24): a series of films, documentaries, exhibitions and concerts. For more history, go lateral. Glenn Brown is known for using photographic reproductions of iconic portraits – by Fragonard, Dalland Auerbach, among others – to make his subversive art. See his work at the Serpentine Gallery (September14-November 7). For great art unsubverted, head to the Royal Academy to see one of the best private collections of the late nineteenth and early twentieth centuries: that of Copenhagen’s Ny Carlsberg Glyptotek museum. Its hoard (on show from September18 to December10) boasts Greek, Roman and Egyptian antiquities, plus work by Rodin and Gauguin.

Posted in Life.